Lot 1
Pre-Columbian, Central America, Panama, Gran Cocle, ca. 600 to 1000 CE. An enormous pottery jar of round-bottomed form with a bulging midsection a tapered shoulder, a tall, funnel-form neck, and an everted rim. The light-orange vessel is decorated with black-painted concentric circles around the rim, serrated vertical columns around the neck, and broad red stripes on the body that coalesce along the bottom to create the monochrome base. Also illustrated on the body is a pair of abstract reptilian creatures with serrated spines, forelegs with enormous claws, and gaping jaws that reveal rows of sharp teeth. Size: 13.45" Diameter x 15" H (34.2 cm x 38.1 cm)
According to scholar Samuel Kirkland Lothrop, "The Gran Cocle culture is a Pre-Columbian archaeological culture that gets its name from the area from which it was based, the now present-day Cocle province of Panama. The Gran Cocle term applies to a loosely studied group of Native American sub-cultures in this region, identified by their pottery styles. The overall period spans a time from 150 B.C. to the end in the 16th century A.D. upon Spanish contact. The most ancient culture is the La Mula period from 150 B.C. to 300 A.D. The La Mula and later Monagrillo and Tonosi pottery styles are identified by their use of three paint colors which were black, red and white (or cream). The later Cubita style saw the emergence of the use of four colors. The styles of Conte, Macaracas and Joaquín added purple to their palette and this hue ranged from grayish tones to red purple. The use of purple disappeared in the subsequent styles of Parita and El Altillo and the paint style reverted to the use of three colors. Most notable in the artistic renderings are the overt use of geometric designs." (For more information, see Armand Labbe, "Guardians of The Life Stream: Shamans, Art and Power in Prehispanic Central Panama" - Bowers Museum of Cultural Art, University of Washington Press, 1995)
Provenance: ex-private USA collection acquired before 2000. Complete provenance will be provided to winning bidder; all items from this collection have been appraised by Marianne Huber in 2014
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#188461
- Condition: Professional repair and restoration, with resurfacing and overpainting along new material and break lines.
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