Description:

Fritz William Scholder (American - Mission/Luiseno, 1937-2005). "Bull" lithograph in colors on Guarro paper, 1981. Edition 20 of 120. Signed and numbered in pencil. A striking composition by the legendary Fritz Scholder depicting a bull rendered in black save its white and grey horns. The figure stands in profile against an abstract color-field background with an arch of hot pink and magenta hues crossing the image just below the bull's neckline, a violet band spanning head to torso, expressive drips running from both bands, and gestural marks in black over the grey ground. Scholder was an impressive colorist and once stated the following about color, "One color by itself isn't that interesting—it's the second color and a third color, and a dialogue starts and pretty soon you're swept up in it." Size: 30" L x 22" W (76.2 cm x 55.9 cm)

Fritz Scholder is best known for creating powerful depictions of Native Americans that depart from stereotypes. Interestingly, although Scholder was enrolled as a member of the Luiseno tribe, he oftentimes claimed that he was not actually Indian. Nevertheless, his art demonstrated a refreshing rejection of sentimental, romantic portrayals of indigenous peoples. In his words, "I have painted the Indian real, not red." He based his imagery on actual historical research. For example, Scholder revealed that his painting of a Native American wrapped in an American flag, an image that has become iconic, was based on "19th-century prison photographs of Indians dressed in surplus flags in lieu of their confiscated tribal regalia." In addition to the meaningful political messages of his art, Scholder's style, with its kinetic brushwork and vibrant colors, have truly set him apart. Various art historians have described Scholder's style as a fusion of Pop Art and Abstract Expressionism. Scholder, however, referred to himself an "American expressionist" who celebrated paint and what it can do. In his words, "Paint drips, it smears. It's not because I'm trying to fool anyone into thinking this is a three-dimensional object on a two-dimensional surface ..."

Provenance: ex-private Bishop Family Trust collection, the Trust of the late Bill Bishop, a noted antiquarian with shops in Scottsdale, Arizona and Allenspark, Colorado, USA, acquired before 2010

All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.

A Certificate of Authenticity will accompany all winning bids.

PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.

Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.

#173226

  • Condition: Signed and numbered in pencil. Guarro watermark on lower right corner. Lithograph is set in transparent mounting corners on foam core and has been shrink wrapped. It has not been examined outside the shrink wrap but appears to be in very nice condition.

Accepted Forms of Payment:

American Express, Discover, MasterCard, Visa

Shipping

Auction House will ship, at Buyer's expense

August 11, 2022 8:00 AM MDT
Louisville, CO, US

Artemis Fine Arts

You agree to pay a buyer's premium of 26.5% and any applicable taxes and shipping.

View full terms and conditions

Bid Increments
From: To: Increments:
$0 $299 $25
$300 $999 $50
$1,000 $1,999 $100
$2,000 $4,999 $250
$5,000 $9,999 $500
$10,000 $19,999 $1,000
$20,000 $49,999 $2,500
$50,000 $99,999 $5,000
$100,000 $199,999 $10,000
$200,000 + $20,000