Description:

Pre-Columbian, North Coast Peru, Moche I, ca. 400 BCE to 100 CE. An intriguing red on cream Moche stirrup spout vessel, mold made with a smooth surface adorned by an intricately painted quadrigated composition depicting four serpent-like creatures with jagged ridged backs, one occupying each quadrant. A stylized cross with ends resolving in tails separates the quadrants. Beneath this is a red band with one smooth side, the other jagged akin to the serpents' backs. Beneath this is a solitary smooth, red band. The elegant arch of the spout, which also serves as a handle, thickens as it meets the chamber, and from its center a short tapering end rises. The shape of the spout with its classic turned end indicates an early date in the long ceramic sequence of the Moche. The serpent or snake iconography was prevalent among the Moche. Although scholars do not always agree upon their meaning, perhaps the annual shedding of their skins alludes to symbolism of renewal and regeneration. Size: 7" x 5-1/2" (17.8 x 14 cm)

The Moche were masterful ceramicists. Most of their vessels were mold made standard shapes and forms. However, iconographically their decorations boasted a rich range of subjects. Some were embellished with animorphic imagery like this example. In addition to snakes, a plethora of animals including camelids, felines, deer, monkeys, birds, sea lions, bats, fish, reptiles, arachnids, and the list goes on, inspired the Moche artisans. Plant life also served as inspiration for the Mochica. You will find examples representing squashes, corn, beans, gourds, etc. In addition, human subjects were depicted, in some cases as portrait vessels, others as representative warriors, rulers, healers, etc. Scholars disagree as to their functionality and use. Until recently most believed these vessels to be funerary wares. However, some argue that they were created for domestic purposes, feasts, rituals, or other ceremonial uses. The research continues and fortunately we have pieces such as this example to serve as a window upon the ancient world.

Provenance: Ex-private Leonard Collection, Virginia, USA, acquired before 1979

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#110731

  • Condition: Repaired where handle meets spout and where handles meet vessel and glued. Probe hole on bottom. Nice root marks and manganese deposits.

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February 16, 2016 8:00 AM MST
Louisville, CO, US

Artemis Fine Arts

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