Lot 110
East Asia, China, Tang Dynasty, ca. 618 to 906 CE. A regalcourt lady on horseback, most likely a funerary object of symbolic import, skillfully mold-made with ample remains of red, black, and white pigment gracing the surface, the horse and rider upon a rectangular plinth. The equestrian female is dressed in an elegant garment and headdress. She holds her clenched hands before her as if pulling on reins. Her naturalistically rendered, softly contoured round face embellished with meticulously detailed features, her untailored, loose robe with flowing sleeves cascading over her form, as well as a raised coiffure with hair piled atop, were all characteristic of the period. The horse is standing upon all four hooves implying the rider has brought her noble steed to a halt. A special example from the Tang Dynasty displaying exceptional artistry and technique. Size: 10.45" W x 13.1" H (26.5 cm x 33.3 cm)
The horse was very significant during the golden age of the Tang Dynasty. This impressive charger served as both a symbol of imperial stability that engendered bountiful trade and prosperity for the expanding empire and the reward of military exploits to the West. The most cherished horses were raised in the western kingdom of Ferghana and known as "blood-sweating horses". These were delivered as tribute to the reigning emperor. In general, for the ancient Chinese, horses were a sign of wealth.
This piece has been tested using thermoluminescence (TL) analysis and has been found to be ancient and/or of the period stated. A full report will accompany purchase.
Provenance: private California, USA collection, purchased in the London, UK art market in the 1990's
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#147537
- Condition: Tail has been reattached and there is a small area on the side of the saddle that may have been restored, but if so, it is incredibly well done. Otherwise in excellent condition with rich deposits on the surface and fine remaining pigment. Two small TL samples have been drilled from the piece.
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