Lot 151


Eastern Europe, Russia, ca. 18th to 19th century CE. Finely delineated in egg tempera and gold leaf on wood, an icon depicting the miracle-working St. Nicholas the Wonderworker, the most widely revered saint in Eastern Orthodox Christianity, flanked by Christ and the Theotokos (Mother of God) on each shoulder, and 4 patron saints in the borders. Believed to possess special powers to protect the faithful, this archetypal Bishop and Saint is dressed in sumptuous episcopal vestments, with a cross-adorned omophorion as he gives benediction with his right hand and holds a Gospel in his left. Size: 9.3" W x 10.9" H (23.6 cm x 27.7 cm)
Nicholas, a Greek bishop of Myra, Anatolia in the 4th century and one of the most beloved saints of the church, who served as an intercessor, performing miracles of healing and rescue, has an interesting history. A strong opponent of the heretical bishop Arius at the Council of Nicaea, Nicholas, after slapping Arius in the face, was denied his holy insignia and tossed in jail. However, Christ and the Virgin appeared to him and gave him back his freedom and his episcopal office. Here shown with a serious countenance, a high furrowed forehead, concentrating eyes framed by arched brows, and a short, gray beard, Saint Nicholas is portrayed as a staunch champion of the Christian faith, a defender against heresy, and a healer.
Icons (icon means "image" in Greek) are sacred objects within the Eastern Orthodox Christian tradition. Found in homes as well as churches, these painted images depict holy persons and saints as well as illustrate scenes from the Scriptures. Icons are not worshiped, but are instead venerated for their ability to focus the power of an individual's prayer to God. As a focus for prayers and meditation for believers, icons serve as "windows into heaven."
Provenance: private San Francisco, California, USA collection; ex-D. Meyerson Estate, California, acquired 1980s to 1990s
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#190917
- Condition: Chipping to gesso and tempera as shown as well as fissures, craquelure, and surface grime to paint, though imagery is still very clear. Some scuffing, chips, and abrasions to wood. Otherwise, intact and very nice with good remaining detail. Back slat still intact and suspension wire on verso for display. Illegible Cyrillic inscription on verso.
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